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52nd Country Music Awards of Australia 2024
(The Golden Guitars)

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Live Event Services return to provide production for this year’s awards at the Tamworth Regional Entertainment and Conference Centre (TRECC) in NSW.  The festival is the second biggest country music festival in the world, after the CMA Music Festival in Nashville USA.

Colin Baldwin commented...

“this is our 10th consecutive year providing production and management for the awards and concerts held at TRECC.

Our relationship with the Tamworth Music Festival stems back 16 years, supplying production for several venues across the festival; we are very proud of our involvement in bringing the awards to life.”

Special thanks to...

 Peter Ross (Awards Producer)

Barry Harley (Festival Director)

Robert Elsworthy and his team at TRECC.

It’s no small task managing 24 people for the festival and awards… booking accommodation, sorting logistics’ and ensuring the team arrive in Tamworth on time.

 

Many thanks to our Sydney team… Fiona, Dana and Pam.

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LES Crew:

 

Colin Baldwin; Production Design and Management

Justin BarracloughTechnical & Stage Manager

Adam Lowe; Show Director 

Sean Costello; Content Director 

Roger Dane; Production Assist / ASM

Cass Looveer; ASM

Bradley Scott-Kemmis; Audio Crew / FOH Audio Engineer

Jake Smith; Audio Crew / Monitors Engineer

Tom Heggen; Audio Crew

Andrew Crawford; Mix-down Engineer

Alex McCoy; Lighting Director 

Dylan Hovey; Lx Crew Chief

Sean O’Brien; Lx Crew

Adam Elliott; Lx Crew / Stage assist

Ash SellersAwards Content Director 

Reuben Hung; AV Tech

Chris Turnbull; LED Screen Boss

Jack Stafford; LED Screen Tech

Dan Witkowski; LED Screen Tech

Tim Jarvis / BZCamera Chain 

Marty Hankins; Camera Director

Mark Rolski; Assist Camera Director

Dave Russell; Camera Operator 

James Galea; Camera Operator 

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This year’s production included:

  • 120m2 of LED Screens

  • 5 camera shoot

  • L-Acoustics KARA main system plus ARCH out-fill

  • 108p near-fill speakers and X12 foldback speakers

  • 12 channels of IEMs and 12 channels of wireless mics

  • A&H DLive S7000 at FOH and A&H S5000 at monitors

  • 16 Clay Paky Mythos

  • 12 Martin Quantum wash

  • 6 Martin K20 B-eye

  • 18 Ek R3 LED wash/beam

  • 4 Ayrton Mistral

  • 8 ACME XA400

  • 8 ACME Icarus, and

  • lots of LED pars, profiles and fresnel’s

  • Grand MA3 XT is the lighting control of choice

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